Sarah Rossiter was born in 1970 in New York and currently lives and works in Los Angeles. Solo shows of her work have been exhibited in New York, Switzerland, Italy and Spain. Rossiter's photography, sculpture and video work have also been featured in various group exhibitions throughout the United States and Europe.

In 1992, while at Cooper Union, she co-founded Art Club 2000, a collaboration with six other art students and New York art dealer Colin de Land, of American Fine Arts, Inc.

From 1997 to 2000, Rossiter directed Velocity Gallery in Brooklyn, NY.

Reviews and articles about Rossiter have appeared in publications including Artforum and the New York Times.

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mail [at] sarahrossiter [dot] com


  • B.F.A., Cooper Union School of Art, 1993
  • M.F.A., Mills College, 2005


Galleria Dieffe Arte Contemporanea, Turin, Italy, "Neutrality"
Treehouse Gallery, Los Angeles, "Large Scale"
Atelier Amden, Amden, Switzerland
Thomas Erben Gallery, New York, "New Photographs"
Thomas Erben Gallery, New York, "Yuri-G"
Kunsthalle Bern, Project Room, Bern, Switzerland
Xavier Fiol Gallery, Palma de Mallorca, Spain
Thomas Erben Gallery, New York, "Velocity"
Thomas Erben Gallery, New York, "Part II: I Object"
Thomas Erben Gallery, New York, "Part I: In Amerika..."
Cooper Union, New York


Beta Main (Main Museum), Los Angeles, "Office Hours"
Museum für Gegenwartskunst Siegen, Siegen, Germany, "At Work: Studio and Production as a Subject of Today’s Art"
New Museum, New York, "NYC 1993: Experimental Jet Set, Trash and No Star" (Art Club 2000)
Galleria Dieffe Arte Contemporanea, Turin, Italy, "Rewind 1.0"
Bowmont Art Collection, Los Angeles, "On Tap"
Thomas Erben Gallery, New York, "15 Years Thomas Erben"
d.e.n. contemporary, Los Angeles, "Illuminating Devices"
Future Studio, Los Angeles, "Artifacts"
Intersection, Los Angeles, A Public Art Installation Project
di Rosa Preserve: Gate House Gallery, Napa CA, "MFA Selections"
Mills College Art Museum, Oakland CA, "MFA Exhibition"
Thomas Erben Gallery, New York, "Accrochage"
G Fine Art, Washington, D.C, "Oliver Boberg, Dana Hoey, Candida Hofer,
Vic Muniz & Sarah Rossiter"
Inshallah, Los Angeles, "Wall To Walrus"
Thomas Erben Gallery, New York, "Accrochage - Part II: Seth Edenbaum, Lorraine O'Grady, Adrian Piper, Sarah Rossiter"
Thomas Erben Gallery, New York, "Accrochage - Part I: Oladélé Ajiboyé
Bamgboyé, Seth Edenbaum, Adrian Piper, Sarah Rossiter"
American Fine Arts Co., New York, "100 Photographs"
Thomas Erben Gallery, New York, "Gallery Artists"
Roger Smith Gallery, New York, "Women at Work"
Royal Danish Academy, Copenhagen, Denmark, "Mouth"
Traveled to: Palais des Beaux Arts, Brussels, Belgium; Friesenwall 120, Cologne, Germany
American Fine Arts Co., New York, "Commingle" (Art Club 2000)
Andrea Rosen Gallery, New York, "Keith Edmier, Kevin Landers,
Sarah Rossiter"


  • Holland Cotter, "A Time of Danger and Pain, Two Long Decades Ago" The New York Times, February 2013
  • David Velasco, "Art Club 2000 Talks About "Commingle," 1992-93" Artforum, February 2013
  • Angiolina Polimeni, "Rewind 1.0" Juliet Art Magazine, Feb 3, 2013
  • "Pietre dure, minerali e cancelli Immagini per poter 'riflettere'" La Stampa, November, 2009
  • Colin Berry, "MFA Selections at the di Rosa Preserve," Artweek, April 2006, Vol.37, Issue 3
  • Annelise Zwez, "Projektraum: Sarah Rossiter" Oltner Tagblatt, November 1998
  • Annelise Zwez, "Sarah Rossiter im Soussol" Bieler Tagblatt, November 1998
  • Hans-Peter von Daeniken, "Tochterposen, Mutterbilder" Tages-Anzeiger, November 1998
  • Ester Adeyemi "Projektraum" Der Landbote, October 1998 also in: Schaffhauser Nachrichten, November 1998
  • Fred Zaugg, "Im Projektraum" Der Bund, October 1998
  • Charlotte Druckman, "Velocity" NY Arts Magazine, March 1998
  • Pablo Llorca, "Entre lo seguro y lo desconocido" El Periodico del Arte, February 1998
  • Barbara Celis, "Emergentes en ARCO 98" El Pais de las Tentaciones, February 1998
  • Roberta Smith, "Brooklyn Haven For Art Heats Up" The New York Times, November 1998
  • Martha Schwendener "Sarah Rossiter, Part I: In Amerika..." Time Out, December 1998
  • Hugh Gallagher, "Global Art: Art Club 2000" Flash Art, March 1994
  • Glenn O'Brien, "Into the gap: Art Club 2000" ArtForum, February, 1994
  • "Filling in the Gaps" Grand Royal, Fall 1993
  • Walter Robinson, "Censorship File" Art in America, September 1993
  • Kim Levin, "Art in Brief" The Village Voice, July 13, 1993


  • "At Work" Museum für Gegenwartskunst Siegen, 2013
  • "Neutrality" Galleria Dieffe Arte Contemporanea, November 2009, interview by Sharon Mizota
  • "Large Scale," Fall 2007
  • "Atavistic," Fall 2006, essay by Glen Helfand
  • "Mills MFA Exhibition 2005" Mills College Art Museum, 2005
  • "The Pose" in Erlebte Modelle/Model Experience, Roman Kurzmeyer,
    Springer-Verlag, Wien, New York, 2000


  • "Lisa Ruyter" Ouverture, Flash Art, October 1994
  • "Commingle" Blocnotes Art Contemporain, Fall 1993