EDUCATION

B.F.A., Cooper Union School of Art, NYC - 1993
M.F.A., Mills College, Oakland, CA - 2005

SOLO EXHIBITIONS

2010
d.e.n. contemporary, Los Angeles, "Illuminating Devices"

2009
Galleria Dieffe Arte Contemporanea, Turin, Italy, "Neutrality"

2007
Treehouse Gallery, Los Angeles, "Large Scale"

2003
Atelier Amden, Amden, Switzerland, "Sarah Rossiter"

2001
Thomas Erben Gallery, New York, "New Photographs"

1999
Thomas Erben Gallery, New York, "Yuri-G"

1998
Kunsthalle Bern, Project Room, Bern, Switzerland, "Sarah Rossiter"
Xavier Fiol Gallery, Palma de Mallorca, Spain, "Sarah Rossiter"
Thomas Erben Gallery, New York, "Velocity"

1997
Thomas Erben Gallery, New York, "Part II: I Object"

1996
Thomas Erben Gallery, New York, "Part I: In Amerika..."

1993
Cooper Union, New York, "Sarah Rossiter: A Bunch of Dogs"
 

GROUP EXHIBITIONS

2021
Kunsthalle Zurich, Switzerland "ART CLUB2000: Selected Works 1992–1999" (Art Club 2000 Retrospective Exhibition)

2020
Artists Space, New York, "ART CLUB2000: Selected Works 1992–1999" (Art Club 2000 Retrospective Exhibition)

2018
Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, "The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)" (Art Club 2000)

2016
Beta Main (Main Museum), Los Angeles, "Office Hours"

2013
Museum für Gegenwartskunst Siegen, Siegen, Germany, "At Work: Studio and Production as a Subject of Today’s Art"
New Museum, New York, "NYC 1993: Experimental Jet Set, Trash and No Star" (Art Club 2000)
Galleria Dieffe Arte Contemporanea, Turin, Italy, "Rewind 1.0"

2011
Bowmont Art Partners, Los Angeles, "On Tap" (curated by Franklin Sirmans, Ali Subotnick, Dean Valentine, Lauri Firstenberg and Thomas Lawson)
Thomas Erben Gallery, New York, "15 Years Thomas Erben"

2007
Future Studio, Los Angeles, "Artifacts"
Intersection, Los Angeles, A Public Art Installation Project

2006
di Rosa Preserve, Gate House Gallery, Napa CA, "MFA Selections"

2005
Mills College Art Museum, Oakland CA, "MFA Exhibition"

2002
Thomas Erben Gallery, New York, "Accrochage"

2001
G Fine Art, Washington, D.C, "Oliver Boberg, Dana Hoey, Candida Hofer, Vic Muniz & Sarah Rossiter"

1999
Inshallah, Los Angeles, "Wall To Walrus"
Thomas Erben Gallery, New York, "Accrochage - Part II: Seth Edenbaum, Lorraine O'Grady, Adrian Piper, Sarah Rossiter"

1998
Thomas Erben Gallery, New York, "Accrochage - Part I: Oladélé Ajiboyé Bamgboyé, Seth Edenbaum, Adrian Piper, Sarah Rossiter"

1996
American Fine Arts Co., New York, "100 Photographs"
Thomas Erben Gallery, New York, "Luke Gray, Senga Nengudi, Sarah Rossiter"

1994
Roger Smith Gallery, New York, "Women at Work"

1993
Royal Danish Academy, Copenhagen, Denmark, "Mouth"
  Traveled to: Palais des Beaux Arts, Brussels, Belgium; Friesenwall 120, Cologne, Germany
American Fine Arts Co., New York, "Commingle" (Art Club 2000)
Andrea Rosen Gallery, New York, "Keith Edmier, Kevin Landers, Sarah Rossiter"
 

SELECTED BIBLIOGRAPHY 

Andrea K. Scott, "Art Club 2000," The New Yorker, November 2020 (Art Club 2000)

Emily Spivak, "When The Gap Was Everywhere," Smithsonian, April 2013 (Art Club 2000)

David Everitt Howe, "Mischief-Makers Art Club 2000, in New Museum's "1993," Recall the Era of The Gap," Blouin Artinfo, April 2013 (Art Club 2000)

Holland Cotter, "A Time of Danger and Pain, Two Long Decades Ago," The New York Times, February 2013 (Art Club 2000)

David Velasco, "1000 WORDS: ART CLUB 2000," Artforum, February 2013 (Art Club 2000)

Angiolina Polimeni, "Rewind 1.0" Juliet Art Magazine, Feb 3, 2013

"Pietre dure, minerali e cancelli Immagini per poter 'riflettere'" La Stampa, November, 2009

Colin Berry, "MFA Selections at the di Rosa Preserve," Artweek, April 2006, Vol.37, Issue 3

Annelise Zwez, "Projektraum: Sarah Rossiter" Oltner Tagblatt, November 1998

Annelise Zwez, "Sarah Rossiter im Soussol" Bieler Tagblatt, November 1998

Hans-Peter von Daeniken, "Tochterposen, Mutterbilder" Tages-Anzeiger, November 1998

Ester Adeyemi "Projektraum" Der Landbote, October 1998 also in: Schaffhauser Nachrichten, November 1998

Fred Zaugg, "Im Projektraum" Der Bund, October 1998

Charlotte Druckman, "Velocity" NY Arts Magazine, March 1998

Pablo Llorca, "Entre lo seguro y lo desconocido" El Periodico del Arte, February 1998

Barbara Celis, "Emergentes en ARCO 98" El Pais de las Tentaciones, February 1998

Roberta Smith, "Brooklyn Haven For Art Heats Up" The New York Times, November 1998

Martha Schwendener "Sarah Rossiter, Part I: In Amerika..." Time Out, December 1998

Hugh Gallagher, "Global Art: Art Club 2000" Flash Art, March 1994 (Art Club 2000)

Glenn O'Brien, "Into the gap: Art Club 2000" ArtForum, February, 1994 (Art Club 2000)

"Filling in the Gaps" Grand Royal, Fall 1993 (Art Club 2000)

Walter Robinson, "Censorship File" Art in America, September 1993 (Art Club 2000)

Kim Levin, "Art in Brief" The Village Voice, July 13, 1993

PUBLICATIONS & CATALOGS

"The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co." Jeannine Tang, Ann Butler, Lia Gangitano, DANCING FOXES Press, 2018  (Art Club 2000)

"Atelier Amden 1999-2015" Roman Kurzmeyer, Edition Voldemeer Zurich / de Gruyter, 2015 

"At Work" Museum für Gegenwartskunst Siegen, 2013

"NYC 1993: Experimental Jet Set, Trash and No Star", New Museum, 2013 (Art Club 2000)

"Neutrality" Galleria Dieffe Arte Contemporanea, November 2009, interview by Sharon Mizota

"Mills MFA Exhibition 2005" Mills College Art Museum, 2005, essay by Glen Helfand

"The Pose" in Erlebte Modelle/Model Experience, Roman Kurzmeyer, Springer-Verlag, Wien, New York, 2000

"Commingle" Blocnotes Art Contemporain, Sarah Rossiter, 1993